As editor-in-chief, brought in to completely rebrand the heritage magazine and increase its competitiveness against industry leaders ArtForum and Frieze. Oversaw complete design revamp, expanded editorial scope, established new relationships with leading galleries and luxury brands with art affiliations, launched artist editions, art city guides, digital art fairs and built out (sponsored) event around most popular issue The Power 100.
As editor-in-chief, brought in to completely rebrand the heritage magazine and increase its competitiveness against industry leaders ArtForum and Frieze. Oversaw complete design revamp, expanded editorial scope, established new relationships with leading galleries and luxury brands with art affiliations, launched artist editions, art city guides, digital art fairs and built out (sponsored) event around most popular issue The Power 100.
First issue as editor in chief - In the inaugural issue, art curator and intellectual Hans Ulrich Obrist (cover shot by Jurgen Teller talks with Pritzker Prize-winning architect Rem Koolhaas about how it took him 30 years to learn to love London and why artists collaborations with architects are always overrated. For this issue, Obrist also curated a paper exhibition, designed by M/M Paris and containing 40 leading artists predictions for the future.
Relaunch issue #1 - In the inaugural issue, art curator and intellectual Hans Ulrich Obrist (cover shot by Jurgen Teller talks with Pritzker Prize-winning architect Rem Koolhaas about how it took him 30 years to learn to love London and why artists collaborations with architects are always overrated. For this issue, Obrist also curated a paper exhibition, designed by M/M Paris and containing 40 leading artists predictions for the future.
Relaunch issue #1 - In the inaugural issue, art curator and intellectual Hans Ulrich Obrist (cover shot by Jurgen Teller talks with Pritzker Prize-winning architect Rem Koolhaas about how it took him 30 years to learn to love London and why artists collaborations with architects are always overrated. For this issue, Obrist also curated a paper exhibition, designed by M/M Paris and containing 40 leading artists predictions for the future.
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